Cancelled Futures: Class, Race & Place in Post-Industrial Britain 16th September at UCL I'll be talking race, class & place with @alexkelbert.bsky.social & @lukedenoronha.bsky.social Hosted by @uclsociology.bsky.social & @sprc-ucl.bsky.social Tickets: www.eventbrite.co.uk/e/cancelled-...
Профиль
Alice Marples
Профиль VivelyResearch & Postgraduate Development Manager @britishlibrary.bsky.social. Historian of early modern science, communication & collections. She/her with 'Big North Energy'. Very personal.
Free advice: try to live your life in such a way that people won't be queuing up to celebrate your death.
Today's devolution announcements show that this govt is serious about doing it right. My post from this week on why I'm optimistic and the five big challenges to making it work. samf.substack.com/p/burnhams-d...
There’s just two more days to get your abstracts in for @ukdishisthub.bsky.social’s November event! #CFP #DisHist
UK Disability History and Heritage HubCFP alert: We are thrilled to announce the Call for Presenters for a hybrid event in collaboration with @britishlibrary.bsky.social! This will be taking place on 27th November 2026, with presentations happening both in-person and online. Deadline to submit your ideas is: 31st July 2026! #DisHist
Grateful for this review in the Journal for Eighteenth-Century Studies!: ‘This book is a call to action, a reminder that current archival practice has just as much of an ‘active effect in guiding how we respond to and categorise objects’ as Sloane himself once did’ doi.org/10.1111/1754...
This is an actual holy grail.
Gary BrannanAch, you know what? Why not. Here’s Alan Bennett’s closing monologue from ‘On the Margin’, missing for nearly 60 years, and found on a Sony CV2000 tape in the Galton and Simpson archive You, dear viewer, are one of the few people ever to have seen this. Enjoy! discover.york.ac.uk/collections/...
My new book, An Injury to All: The Unmaking of the British Working Class, is coming out in October. You can preorder it from Waterstones with a 25% discount today and tomorrow! Place your order here ⬇️ www.waterstones.com/book/an-inju...
Playing music has been proven to be good for so many areas of the brain, it's even better if you sing at the same time. If we protect live music venues we are also protecting the nation's mental health and so much more. www.theguardian.com/business/202...
I spent 6 weeks in Manchester in 2019 speaking with people experiencing homelessness and documenting their lives for Outsiders. It was far and away the best city in Britain for the way it was dealing with the homelessness crisis.
Nearly 4,000 academic posts in social sciences, humanities and the arts have been axed in one year alone. In the 12 months to December 2024, just under 3,000 social sciences, 820 humanities and 240 arts jobs went. www.theguardian.com/education/20...
'Early career opportunities have rapidly declined in the fields of arts and humanities amid UK job cuts, with teaching-only roles increasingly the only positions available for those just starting out, an analysis by the British Academy has found.' 1/3
But the severity of what we're now seeing in SHAPE disciplines is new and different. Coupled with the contraction of teaching and research contracts, what we're seeing poses a threat to HE teaching and research alike. Who is minding the shop? 3/3
The pipeline has always been leaky. We know that we fail to attract and retain key cohorts of researchers: class, ethnicity, gender and race are among the known barriers to entry. 2/3
The Broken Pipeline Report – Leading Routeswww.leadingroutes.orgEarly career researchers are the lifeblood of any discipline. Their entrance into academia is at the heart of its renewal. What happens when those arteries are blocked? That's one of the questions the British Academy's SHAPE Observatory is asking. 1/3
And a Glasgow Style gesso panel by Margaret Macdonald Mackintosh: 'Summer'.
'The initiative, launched by Chatsworth House Trust with Derbyshire Libraries, allows groups of up to eight people to visit the house, gardens and grounds at no cost. The pilot comes amid the growing cost of living crisis...[that is] putting many cultural experiences beyond...[families'] reach.'