There was a thing going around on Bluesky the other day about what is the best anyone has ever looked on screen. And I didn’t even bother because the answer is obviously Grace Kelly in that first closeup in Rear Window and any other answer is just nonsense.
Профиль
Jonathan McNicol
Award-losing radio maker. Producer at Connecticut Public. Also at letterboxd.com/mcnicol I always carry my own keys. he/him
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⟳ Репост от Jonathan McNicol
"Nostalgia is cheap, and plenty of films peddling it have died on the vine. No, what sets BACK TO THE FUTURE apart is not that it is nostalgic, but that it grasps nostalgia as a production, a site of labor. It doesn’t remember the past; it re-manufactures it, to spec, on a studio lot."
We need a better word than proshot for this kind of thing. Proshot used to just mean “not a bootleg,” and the production value on something like this is SO MUCH MORE than not a bootleg. This is like a concert film or a standup special (which is really a concert film).
Chris GeidnerNo one is lying about the Hadestown proshot, folks. It is incredible and, yes, quite possibly the best proshot I’ve seen. Do not miss it. It’s only out for a week, and I don’t know that we know yet if and where it will have a life after this.
The Wizard of Oz 302 comments, and unless I missed it, none of them mentions The Wizard of Oz, kind of easily the most obvious (and best) example of this. Like I’ve been saying for years: Because of its ubiquity, everybody sleeps on The Wizard of Oz.
J.M. BergerWhat are your favorite adaptations that transcend their source material? Blade Runner springs to mind
The list of people born in 1946 is ridiculous. Spielberg. Cher. Dolly Parton. People like Diane Keaton, David Lynch, David Gilmour, Liza Minnelli, Reggie Jackson, Freddie Mercury and Patti Smith are relegated to the second tier of that crazy year. Relatedly: It’s the first year of the baby boom.
Joshua EatonClinton, Bush Jr. and Trump were all born in 1946.
⟳ Репост от Jonathan McNicol
It might FEEL logical that a mostly shot-for-shot CGI-heavy live-action remake of a 10-year-old CG-animated movie flops, but you'd have made the same argument before the shot-for-shot live-action remake of a 15-year-old movie made $630m last year, so I'd say additional context is necessary.
⟳ Репост от Jonathan McNicol
Altman surprised to see Richard Kimble entering the banquet hall in the middle of his presentation
ForbesApple alleges OpenAI improperly obtained trade secrets tied to the iPhone maker’s hardware development through former Apple employees as the AI company expands into consumer devices.
Ghostbusters 2 isn’t perfect or anything, but one of its main storylines is that in the five years since Ghostbusters, basically everyone has decided that the Ghostbusters were some kind of hucksters, and the whole thing was a hoax. Fairly prescient, really.
Mike Gianellathe judge in GHOSTBUSTERS 2 having no recollection of a skyscraper sized marshmallow monster terrorizing New York City five years earlier is a plot point that made no sense to 1989 viewers that 2026 viewers simply nod along at as utterly logical
⟳ Репост от Jonathan McNicol
For a third of my life I've listened to the Culture Gabfest, a pioneering podcast with the perfect chemistry, wit, and insight. I'm so grateful to the hosts, Stephen Metcalf, Julia Turner & Dana Stevens, & hope their will be a reunion tour. www.nytimes.com/2026/07/01/a... @reggieugwu.bsky.social
I think the prequels are better than people remember, and I acknowledge that TFA is, let’s say, derivative. But TFA is also VERY well made and full of super likable characters played by exceedingly charming/compelling actors. For me it’s at the other end of the Star Wars list from the prequels.
Aaron van DornI think anyone who ranks either "Force Awakens" or "Rise of Skywalker" above any of the prequel films is fundamentally unserious, and perhaps dangerous.
This is just totally wrong. It’s not the highest-grossing original live-action film of the 2020s at the worldwide box office (which is where it’s grossed $371 million). And it’s not the highest-grossing original live-action film of the 2020s domestically ($235 million) either.
Pop Base‘OBSESSION’ is officially the highest-grossing original live-action film of the 2020s. It has grossed over $371 MILLION worldwide on a $750,000 production budget.