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Профиль

Jonathan Coe

Профиль Vively

Writer. New novel is THE PROOF OF MY INNOCENCE. Previous titles include WHAT A CARVE UP!, THE ROTTERS' CLUB, MIDDLE ENGLAND, MR WILDER AND ME ... https://linktr.ee/coelinks

I'd never seen it before (well, I still haven't seen it, really) but I was struck by how shamelessly it seemed to be ripping off I'm All Right Jack. Love Stanley Baker. Much of Accident stands up really well.

110

Superb cast. But Spike forgot to write any jokes this time.

100

I'll pass on that opinion to my agent. (HIs daughter.)

140

Vaughan Williams did a Romance for harmonica and orchestra which is pretty nice though.

140

I was there too! If it was the question about the lyrics, it was a good question. I’d never thought of ‘The Runaway’ that way before.

210

The cruise scenes in Middle England are loosely based on it, but I don't think I used the Elvis reference.

100

It would have been nice if it'd had the same effect on the audience but I think I stunned them into silence.

110

Yes! A really nice one, round the Baltic!

120

Except I think the audience found the Elvis show sublime and thought I was the ridiculous one ...

110

I will listen!

000

Great news! But has he gone from here?

110

Fascinating. I saw 1941 on release, in Canada - the only time I ever went to a drive-in cinema. It was awful.

120

Wow, that one has completely passed me by. Perhaps a blessing?

120

Agreed (though I haven't watched nearly as many as you!).

010

It was such a fascinating show. A couple of weeks ago they showed S1E7, 'Annabel', which is an adaptation of Patricia Highsmith's 'This Sweet Sickness' with a great performance by Dean Stockwell. And S217, an adaptation of Ray Bradbury's 'The Jar' is remarkable. (With a Bernard Herrmann score!)

2111

Ah, is that the reason? Certainly the best bit of the film!

000

Wow that's bizarre. Which channel does that?

120

The only time I met him (apart from sitting next to him at a Gary Burton concert when I was 22) was at a charity thing at the Palace of Westminster. He didn't want to reminisce about the Goodies until I asked him about the music and working with Mike Gibbs and then his eyes lit up and he was off.

0563

It has major flaws and is - ahem - 'very much of its time' but the Bernard Herrmann score elevates it to a different level altogether.

120

I love Green for Danger, which I must have seen at least ten times - I can never remember who the murderer is. Endless Night has an (uncredited) cast member in common with it.

130
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