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Профиль

Jonathan Coe

Профиль Vively

Writer. New novel is THE PROOF OF MY INNOCENCE. Previous titles include WHAT A CARVE UP!, THE ROTTERS' CLUB, MIDDLE ENGLAND, MR WILDER AND ME ... https://linktr.ee/coelinks

Last two nights' double bills: Accident (Joseph Losey, 1967) Carry On At Your Convenience (Gerald Thomas, 1971) Sexy Beast (Jonathan Glazer, 2000) The Bed Sitting Room (Richard Lester, 1969) Didn't make it through the whole of the second film on either occasion.

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Still going through old photos and paperwork, and have now been reminded of one of the oddest events I ever did: the time I was the warm-up act for an Elvis tribute show on a Saga cruise.

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This is good. An illustrated catalogue of 2,000+ feature films on YouTube, covering 1930-1970. You can search by country and decade. In Spanish but easy to navigate, and you get the fun bonus of learning the Spanish titles of the films ...

Filmoteca Clásica · Cine clásico gratis en YouTubefilmotecaclasica.com
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A tangential thought. So many British comedy TV shows were turned into films in the 70s, despite being totally unsuited to the big screen. The Goodies, chock-full of brilliant visual humour, never did. Why no movie?

Isabel Rogers

Well this is just lovely - last night's Front Row with Samira talking to Graeme Garden about Bill Oddie.

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CELIA FREMLIN ALERT! (fao @jacquiwine.bsky.social and @andrewmale.bsky.social among others) Next Tuesday, August 2nd, at 14:00 Sky Arts are showing The Alfred Hitchcock Hour, S1 E23, 'The Lonely Hours', an adaptation of 'The Hours Before Dawn'. Starring Gena Rowlands!

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I went to the same school as Bill Oddie (KES in Birmingham) and there were legends that he'd once arrived at school on horseback and also had put up diversion signs which meant all the traffic along the main Bristol Road had to pass through the school grounds but I don't know if either is true.

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So I think I've finally discovered the worst film ever made. It began yesterday at the bfi, listening to the excellent discussion between Sophie Hannah and Kazuo Ishiguro before a screening of Sidney Lumet's Murder on the Orient Express. They discussed the history of Agatha Christie adaptations.

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I saw The Odyssey and thought it was OK. More hot film takes as they come in …

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Can't believe the prog prom didn't end with Apotheosis of the Necromancer by Gandalf's Pikestaff.

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I wrote (at some length) about Hitchcock's films and how Bernard Herrmann's music elevated some of them to greatness.

London Review of Books

‘Despite the clear evidence that he was rude, obstinate, difficult, opinionated, ungracious and often cruel, I find it hard to conclude that Herrmann was to blame for the partnership’s demise. He acted with integrity.’ @jonathancoe.bsky.social on Hitchcock’s composer. www.lrb.co.uk/the-paper/v4...

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For three days only Waterstones are offering 25% off my new novel if you pre-order. You just have to enter the code SUMMER26 when you check out.

Lessons in Harmony by Jonathan Coe | WaterstonesBuy Lessons in Harmony by Jonathan Coe from Waterstones today! Click and Collect from your local Waterstones or get FREE UK delivery on orders over £25.www.waterstones.com
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Scrolling through old pictures and being reminded of the time when one of my novels was an A/S Level set text and I vanity-searched Twitter to see what students were saying about it, and got a warm glow at the thought that I was inspiring a whole new generation of readers.

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When he began his collaboration with Bernard Herrmann, Alfred Hitchcock was also about to be launched as an unlikely TV star. My take on the creative symbiosis between the two men.

Jonathan Coe · Where was the drum kit? Hitchcock’s MusicThe music Bernard Herrmann wrote for The Wrong Man is diffident, sometimes almost unnoticeable. His score for Hitchcock...www.lrb.co.uk
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