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You’d reach the final boss and it would just be a design document.

It’s the kind of bad movie that throws into doubt the rest of someone’s filmography, a filmmaker just sinking deeper and deeper into his own artifice. But then I rewatched the strobe scene from The Neon Demon and it’s all good. Even it and Only God Forgives have a foot in the real world.

youtu.be/_xBxUr7h0QY?...

The game or the country?

USA vs. BEL

Blasto should’ve been in Astro Bot

He is the last true Hollywood star, though. He is the sole reason I’m seeing this (sure as shit ain’t Inarritu’s track record).

I had to rewind. I wish I hadn’t.

Jesus fucking Christ!

Is it too soon to add LittleBigPlanet to the list? Also, MotorStorm lunatics unite!

I beat it last year. Real fucker.

There has never been a better time for a 4K remaster of John McTiernan’s Rollerball.

“Admire” is the word, absolutely.

Is it as good as Fury Road? No. Is it the best female Conan movie ever made? Yes!

Yeah, you’re right.

I feel like we get this sort of formulaic indie-pop coming-of-age bullshit out of the Sundance Film Festival every year.

Speaking of Mangione, have you seen Gus Van Sant’s last film, Dead Man’s Wire? It maybe didn’t do well at the box office but I highly recommend it.

Why the recurring interest in Canadian pop music? I’m from Quebec and that shit barely reaches us! Not unless it proves itself in the States!