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Orddu, Orwen, or Orgoch

she/her. English literature, medievalist, singer in the band, recovering indoor cat. In both research and life, resisting being reductive about religion. I don’t speak for my institution, and it doesn’t speak for me. Expect posts about academic freedom.

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Y'know, I was thinking, "what on Earth could we possibly get from a Scrooge prequel that we haven't gotten from the many adaptations of A Christmas Carol, which literally bake in the prequel?" Knowing this background now, the answer's obvious: a Christmas Carol that makes us feel bad for rich men.

Kat Tenbarge

There’s an even more sinister angle to Johnny Depp’s ongoing “comeback” tour as the new Scrooge—it’s a Paramount production and part of a slate of Ellison-backed conservative cultural takeover attempts. It’s angled around MeToo rejection and the manosphere. spitfirenews.com/p/johnny-dep...

I remember when Mad Max Fury Road came out, George Miller got a lot of praise for not lingering on depictions of sexual violence and trusting viewers to know what had happened without fostering a voyeuristic gaze. This was my experience of The Odyssey’s relationship to gendered violence as well.

Olúfẹ́mi O. Táíwò

the violence of the sack of Troy is sanitized as this author describes. we do however see Odysseus and his men pillage and burn though, which is also addressed (with a lil euphemism here and there) in the narration if I remember right. so I didn't come away from the scene thinking Circe was nuts

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