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I'd like to get back in shape, at least, the shape where a guitar sits correctly below my ribcage rather than uncomfortable upholstery

I put it on and yep, can't fault it. I find the goofily-sincere tracks still charming; I consider the whoa-ohs good, if they're gonna spin wheels it's a good wheel to spin. Similar intent to Postcards but better ideas. Genuinely in the Good class for me, several great songs, just far from essential

Sorting out the replies number. I'll retweet it if you or someone else do too

Treat people the way you'd like to be treated, unless you're autistic

maybe the snowman isn't abominable; maybe you just caught him on a bad day

apologising to Jacob Elordi for me always confusing him for Justin Baldoni

stuart little x hello kitty

War, war is stupid and Boy George is stupid

(Some of the things I Do) I Do Them For You

me finally getting KOF14. Kukri/Mian/Sylvie is a brilliant newbie team; two properly thoroughly well-designed, S works as a parodic oddball. I dislike that Kukri's later characterised as a perv (in a non-canon game, but it'll stick). I guess his original characterisation is very close to Iori.

men in 20th century US comic books

"bad theology" always means "theology that doesn't align with my delusions"

being autistic and being misquoted

tribute band Tryna Crisis

somehow, waking at midnight is the good option. 'cause I was only-napping at like 1am lately, and that was awful

pointing at minorities and saying "imagine them without one of their properties, then they'd be different"

okay, completing the book without listening but I'll catch up out of duty, then diversify listening a bit. It's kinda shrugging to a conclusion with one page per dull-ass song, until the middling new album is conducted like a generous contemporary interview. I don't expect them to recover relevance?

exceptions if the character's portrayed as mixed-heritage, plus this is fine on a case-by-case level; I've just noticed it swelling as a trope via a kind of pseudo-inclusionary hypercorrection resultant from otherwise successful race-blind casting.

something about British non-white actors being glad to get roles that aren't called Terrorist or Mohammed etc, but I sometimes notice overrepresentation of white-ified identities ('white' names), probably because they were race-blind cast. Do race-blind cast, then respect the cast's verisimilitude?