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P H Lee πŸͺ¬

ΠŸΡ€ΠΎΡ„ΠΈΠ»ΡŒ Vively

pretentious, awkward, difficult to approach, prickly, too fond of [their] own tales, haughty, prone to versifying, disdainful, cantankerous and scornful links to work here: https://p-h-lee.com/

i think a thing that llm-boosters miss re: publishing professionals is that we are _constantly_ getting barraged by llm-based scams. like. i am not a particularly well-known author. i also don't have a publicly posted e-mail address. i get multiple llm-related scam e-mails a day.

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my personal problem with "explain your process" stuff (because of promotion, testing for llm-based plagiarism, testing for non-llm based plagiarism, etc) is that almost all of my creative processes are just "so i had this really fucked up dream..."

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troubling direction. (it's worth noting that, despite these shifts in Code of Ethics, many literary agents are consumate professionals who do not try to sell their clients on extraneous services and harvest referral fees.) but you have to look out for yourself, as a writer.

Victoria Strauss

New #WriterBeware blog post: The AALA has made major revisions to its Canon of Ethics. What's changed, where I think the changes fall short, and questions about the future of the agent profession raised by the issues the Canon has been revised to address writerbeware.blog/2026/07/31/t...

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this is, objectively, an incredibly well-designed poster. it would absolutely work today.

Luke Knox

just became aware of William Howard Taft’s 1908 campaign poster

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"but what if it was bad... on purpose?" feels like a daring critical statement but it's usually just deflection. art is very rarely bad on purpose. when it is, it is very rarely successful at accomplishing its goals.

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I do not understand people who are down on Emily Wilson for bagging on Nolan's Odyssey, like it's coming out of the blue. It isn't: he specifically invoked her translation and claimed* to be "inspired" by it. If she doesn't want her own reputation tied to the movie, she has to say something.

2110

when Maria Dahvana Headley has something to say about translating ancient, famous epics, it is best to listen.

Maria Dahvana Headley

Thing about working with famous epics is that they're famous epics for a reason. Tons of people have had opinions about them for millennia. If you're going to work with one, you know your version is going to piss some people off. Even a *sedate* famous epic inflames some of its audience.

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i watched the three-hour long theatrical presentation of an ancient greek myth retold to offer commentary on and advice to the modern world, that everyone has been saying is so good, and i thought it was fantastic. i am speaking, of course, about Hadestown.

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