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Open Library of Humanities

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The Open Library of Humanities. Building a sustainable, diamond open access future for the humanities. Part of Birkbeck, University of London & makers of Janeway

What does an OLH Open Access Award make possible? Read Amie Longthorne's latest OLH Open Access Award 2025 Awardee Report, reflecting on Data as a Story, the exhibition supported by the award.

Data as a Story Exhibition Data as a Story Exhibition The OLH Open Access Award 2025 Awardee Report, authored by Amie Longthorne, Open Data Management Specialist, Liverpool John Moores University The idea and getting started …www.openlibhums.org
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Earlier this year, our Executive Director, Prof. Caroline Edwards (@theblochian.bsky.social), joined the LSE Open Research Community to discuss scholar-led #openaccess publishing. Read the event reflection and watch the recording: www.openlibhums.org/news/978/ #OpenAccess

Caroline Edwards discusses the future of Open Access publishing at LSE eventThis past January, our Executive Director, Professor Caroline Edwards, was invited to speak at the Open Access and the Commons: The many faces of scholar-led publishing event, organised by the …www.openlibhums.org
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"Melancholic Masculinity in Naughty Dog's The Last of Us Part II (2020)" by Adrienne Mortimer: doi.org/10.16995/olh... Published as part of the #OLHJournal Special Collection: Gaming and the Humanities: Interdisciplinary Essays on The Last of Us (2013-)

Melancholic Masculinity in Naughty Dog's <em>The Last of Us Part II</em> (2020)The spectre of the dead father haunts Naughty Dog’s The Last of Us Part II (2020), which garnered praise for its progressive gender representation. In the game’s prologue, the beloved protagonist of t...doi.org
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"Lost in the Fields: Who is Training Whom when Writing with AI" by Alex Saum-Pascual / @alexsaum.bsky.social: doi.org/10.16995/olh... Published as part of the #OLHJournal Special Collection, "Contemporary Perspectives on AI and Narrative"

Lost in the Fields: Who is Training Whom when Writing with AIIn this essay, I examine the 2023 AI-generated text Los campos electromagnéticos [The Electromagnetic Fields] by writer Jorge Carrión as an early example (perhaps the first) of writing with GPT-2 and ...doi.org
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We're delighted to announce that the Science Museum Group Journal is joining OLH! 🎉 The journal brings together research and practice on science museums, science communication, curatorial work, archives, and the history and presentation of science. Read more: www.openlibhums.org/news/974/

OLH partners with the UK's leading group of science museumsWe’re delighted to announce that the Science Museum Group Journal will join OLH in Autumn 2026. This engaging publication is the official journal for the five national UK museums in …www.openlibhums.org
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OLH Interview with Semantics of Natural Languages Our Editorial Officer, @maddiesinclair.bsky.social, speaks with the SNL editors about their move to #diamondOA, community-led publishing, and leaving Springer Nature to launch SNL with OLH. Read full interview: www.openlibhums.org/news/977/

OLH Interview with Semantics of Natural Languages (SNL)In this interview, we speak with the editorial team at Semantics of Natural Languages about the journal's transition to diamond open access, the research communities that inspired their approach, and ...www.openlibhums.org
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New article in Political Philosophy / @polphiljournal.bsky.social > “Legibility and Contestability: Opaque Power, Misattribution, and Fascist Closure” by Hannah McHugh:

Legibility and Contestability: Opaque Power, Misattribution, and Fascist ClosureContemporary power is often opaque. People may be made vulnerable by arrangements whose sources and mechanisms are difficult to identify. This article argues that opaque power raises a problem of political legibility: agents need some practically usable account of what makes them vulnerable, how that vulnerability is sustained, and where challenge might be directed. Such accounts can be accurate, partial, expressive, or distorted. Fascist politics is a revealing case because it supplies false clarity: it turns diffuse vulnerability into injury to a collective body, identifies enemies as its cause, and presents authoritarian restoration as the remedy. The article argues that this operation depends on perceptual-symbolic framing, the organisation of appearance and affect through which relations of power become politically intelligible. Democratic politics therefore needs forms of legibility vivid enough to orient action while remaining plural, revisable, and accountable to truth.doi.org
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New article in Political Philosophy / @polphiljournal.bsky.social > "Survey Article: Refugees and Location in International Law and Morality" by Max Gabriel Cherem: doi.org/10.16995/pp....

Survey Article: Refugees and Location in International Law and MoralityPhilosophers of migration claim asylum seekers’ location is normatively arbitrary. They claim it is irrelevant whether asylum seekers are inside or outside their own state, and that it does not matter...doi.org
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New article in Political Philosophy / @polphiljournal.bsky.social > "Debate: City Spaces and Systems: When Protecting Turf May be Justified" by Abraham Singer:

Debate:  City Spaces and Systems: When Protecting Turf May be JustifiedThis article responds to an argument in this journal by Monaghan who contends that creating “territory” is a crucial part of a just urban environment but claiming “turf” – claiming and attempting to enforce exclusionary control over urban space – is unjust. This article argues that Monaghan’s argument is a bit too quick. When we understand the way cities, as emergent systems, can produce injustice, it creates the possible justification for the creation of turf as a way for communities to assert themselves against conditions of marginalization or to address gross inequalities.doi.org
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New Laboratory Phonology / @labphon.bsky.social: "Variation in the production of te reo Māori opening vowel sequences" by Kirsten Culhane et al.:

Variation in the production of te reo Māori opening vowel sequencesThis study examines the production of the  te reo Māori opening vowel sequences /ia/ /ea/ /oa/ and /ua/, which  have been  described as hiatuses. We re-examine this classification through acoustic phonetic analysis, using data from three generations of speakers in the MAONZE corpus. We propose a novel bottom-up approach which reveals that the opening sequences are not uniformly hiatus-like  as described.  Rather, there are structured patterns of variation among duration, formant and intensity trajectories, which form a clear continuum of variation between hiatus- and diphthong-like realisations. All generations of speakers show structured variation in their production of the sequences.  We also find that there are  word position and  morpheme boundary effects on the production of the  sequences, and that there is evidence that they have become decoupled from the monophthongs over time. These findings have several implications for how the phonology of Māori is described. The paper also makes a broader methodological contribution,as the methods used do not require presupposing categories like 'hiatus' and `diphthong'.  Instead, they allow us to examine patterns of variation between trajectories (formants, intensity) and other measures like duration,  without pre-supposing what kind of variation is present in the data.  doi.org
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The first issue of The Hythe Review is here! Published by the Open Library of Humanities in partnership with the87press, it brings together poetry, essays and an interview exploring modernism, anti-colonialism, translation, and migration. Read more:

The Hythe Review first issue with OLHWe are thrilled to announce the publications of the first issue of The Hythe Review with the Open Library of Humanities. The Hythe Review joined OLH in 2025, when the …www.openlibhums.org
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Read the latest Open Screens special issue, "Thinking in the Timeline: Videographic Dissection as Analytical Method", edited by Ariel Avissar, Barbara Zecchi, Colleen Laird, and Matthew Payne: www.openscreensjournal.com/issue/1749/i...

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New publication in @theparishreview.bsky.social / The Parish Review: Journal of Flann O'Brien Studies: "‘The Widely Read Books of Mr A. Huxley’: Flann O'Brien, Aldous Huxley and Book Censorship in Ireland" by Pádraig Ó Méalóid: doi.org/10.16995/pr....

‘The Widely Read Books of Mr A. Huxley’: Flann O'Brien, Aldous Huxley and Book Censorship in IrelandThis note considers the works of Flann O’Brien within the context of the history of book banning by the new Irish Free State government in the first half of the twentieth century.doi.org
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"Four Theses on Algorithmic Folklore" by Gabriele de Seta: doi.org/10.16995/olh... Published as part of the #OLHJournal Special Collection, "Contemporary Perspectives on AI and Narrative"

Four Theses on Algorithmic FolkloreRecent advancements in machine learning have brought new forms of automation to the forefront of online interactions, exposing users of social media platforms and apps to different and unfamiliar kind...doi.org
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Two new publications in the International Labour Review / @ilr-rit.bsky.social The articles are also available in French, in Revue internationale du Travail 165 (3), and Spanish, in Revista Internacional del Trabajo 145 (3) Check them out: en.ilr-rit.org/articles/

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New publication in @theparishreview.bsky.social / The Parish Review: Journal of Flann O'Brien Studies : "Print as Pharmakon in the Journalism of Aldous Huxley and Brian O'Nolan" by Tobias W Harris (Tobias W. Harris):

Print as <em>Pharmakon</em> in the Journalism of Aldous Huxley and Brian O'NolanThis article explores the stylistic intersections between the journalism of Aldous Huxley and Brian O’Nolan (Flann O’Brien), arguing that both writers use strategic ambivalences of tone to subvert journalistic convention. Using the theoretical lens of the Platonic pharmakon—as explored by Jacques Derrida and Bernard Stiegler—the essay demonstrates how Huxley and O’Nolan saw print culture as pharmacological: a remedy and a poison which thus requires critical challenges in its adoption to counteract its automatising effects. The essay applies Brecht’s concept of ‘functional transformation’ to examples of where Huxley and O’Nolan, fearful of the tendencies of print culture to foreclose the possibilities for thought, use stylistics to re-engineer the media apparatus with the aim of restoring the reader’s faculty for critical judgment.doi.org
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New article in Laboratory Phonology / @labphon.bsky.social: "Cross-linguistic patterns in voicing-conditioned vowel duration" by Chelsea Sanker:

Cross-linguistic patterns in voicing-conditioned vowel durationIn many languages, vowels are longer before voiced consonants than before voiceless consonants. A substantial body of work addresses voicing-conditioned vowel duration, including other factors with which it interacts and what might cause it. While it has been observed that the effect is smaller in some languages than in others, no typological overview exists. This paper summarizes cross-linguistic patterns of this effect and contributes additional data from languages in which the relationship between voicing and vowel duration has not previously been described. The observed patterns include the following: A gradient distribution of the size of voicing-conditioned vowel duration effects across languages; frequently but not always larger voicing effects with fricatives than with stops; a strong by-language correlation in size between different manners of articulation (i.e., the size of the voicing effect with stops is predictive of the size of the voicing effect with fricatives in the same language); and little correlation between the size of the effect word-medially and word-finally. This compilation of voicing-conditioned vowel duration across languages establishes some of its typical patterns and sheds light on what might cause this effect. This typological information may serve as a foundation for future research on voicing-conditioned vowel duration.doi.org
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Latest from @theparishreview.bsky.social / The Parish Review: Journal of Flann O'Brien Studies > "The Biopolitics of Language in Brave New World and An Béal Bocht" by Emily Reed: doi.org/10.16995/pr....

The Biopolitics of Language in <em>Brave New World</em> and <em>An Béal Bocht</em>This article examines the relationship between language and eugenics in Aldous Huxley’s Brave New World (1932) and Myles na gCopaleen’s An Béal Bocht (1941), reading both novels through the lens of Fo...doi.org
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