That's good enough for me! And interesting. It was a pleasant surprise to see him pull from so many mythic traditions for this book.
Профиль
sean guynes
critic and cultural historian of genre fantasies / senior acquiring editor @leverpress.bsky.social / associate editor of sf @lareviewofbooks.bsky.social / read more: seanguynes.com
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⟳ Репост от sean guynes
At last, here's the next up in my essay series on Ballantine Adult Fantasy, which dives into the satirical romances of James Branch Cabell and THE SILVER STALLION (1926):
⟳ Репост от sean guynes
Little essay from me in which I wrap up my (re)read of R.A. Salvatore's Icewind Dale trilogy with a look at THE HALFLING'S GEM, which is surprisingly good, crazy orientalist, and deeply interested in racial prejudice.
At last, here's the next up in my essay series on Ballantine Adult Fantasy, which dives into the satirical romances of James Branch Cabell and THE SILVER STALLION (1926):
⟳ Репост от sean guynes
One of the most common misconceptions I find myself debunking for academics that a *legal read* is not the same thing as a fact check. (And peer review is neither of those things.)
Alex Shephardthis post suggests there is "no good reason" for publishers not to fact check serious works of nonfiction, even though doing so would probably cause the nonfiction publishing industry to collapse welovehistory.substack.com/p/a-historia...
⟳ Репост от sean guynes
This is bullshit. Dragonball, Sailor Moon, and Pokemon were ridiculously popular in the 90s. There was never a time in the US when people "hated and looked down on anime." At the most, there was a time when people were "unaware of anime."
Zero UtopiaGenuinely impossible to make people understand how much most the United States in the 90s hated and looked down on anime if they didn't live through it.
⟳ Репост от sean guynes
I feel like everyone other than the very smart Emily Wilson and a bunch of extremely thickheaded conservatives have since realized that Nolan’s ODYSSEY is a willfully twisted reinterpretation of the original as an allegory for America. www.lrb.co.uk/the-paper/v4...