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Профиль

Dr Bea Stitches

Профиль Vively

Historian by training; textile artist by preference. Usually stitching something inspired by Hilary Mantel’s Cromwell Trilogy. European.

For #WorldEmbroideryDay: Anne and Grace, daughters of Thomas Cromwell. We only know they lived through Cromwell’s will; he bequeathed them marriage portions, but they died in childhood. Handling that will, seeing their names crossed through - ah - I do not cry in archives, but that day I did.

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After a year’s intensive research featuring 1530s Augmentations Books, endless notes, maps, and index cards, I am embarking on a huge stitched work listing the names of the men and women who were pensioned after the dissolution of the monasteries. The lives of these people were turned upside down.

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I learned this the hard way.

Prof Katherine Schofield 🇬🇧🇦🇺🇪🇺

I would always say do NOT go back to university with the aim of having an academic career. It was always tough to get a permanent job. It’s now perishingly difficult to impossible. Do it because it will enhance your life or career in another way. Don’t do it expecting a lectureship at the other end

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Four strong women for #InternationalWomensDay. More than wives and bodies. Political advisors. Religious reformers. Diplomatic negotiators. International players. Women in their own right. (Also remembering Katherine Howard and Catherine Parr; but I can only stitch the queens Cromwell knew.)

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Much of this also applies to creating artwork. The space between the thoughts and the material result.

Dr Laura Varnam

Fantastic blogpost by @patthomson.bsky.social on productive discomfort 👏 ‘Academic writing is a form of thinking. It’s not the transcription of thoughts already completed, but a process of thinking itself.’ patthomson.net/2026/03/08/g...

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The first Wolf Hall Quilt - all 46 ft of it - has its own sofa this week.

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Today we talk Stitching Cromwell @worcesteruni.bsky.social

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Having a good time at The Hive @worcesteruni.bsky.social with Stitching Cromwell.

Stitching Cromwell in WorcesterI am writing this piece from The Hive in Worcester, where I am supposed to be stitching for the week, alongside my Stitching Cromwell exhibition.open.substack.com
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Today I saw the Cromwell Textile Cloth - a representation of a list of textiles in Thomas Cromwell’s hand - hanging properly for the first time. In 22 years of quilting, I have made precisely two pieces I am completely happy with. This is one of them.

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I suspect Cromwell would approve of the Chamber of Commerce taking an interest in the Stitching Cromwell exhibition..

Artist Unveils Cromwell-Inspired Textiles in Major Exhibition at The Hive | Herefordshire & Worcestershire Chamber of CommerceA decade-long journey of creativity, literature, and archival discovery will be unveiled at The Hive in Worcester, as textile artist Dr Lucie Bea Duttonhwchamber.co.uk
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Thomas Cromwell looks into his future.

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I wrote about Anna of Cleves, Agnes Strickland, and stitching an admirable lady.

Never did any lady conduct herself with greater prudence and dignity than this ill-treated princessReading Agnes Strickland’s Lives of the Queen’s of Englandopen.substack.com
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Very much looking forward to exhibiting #StitchingCromwell @worcesteruni.bsky.social next week! Come along and see me; I’ll be stitching in The Hive Monday to Friday.

Artist Unveils Cromwell-Inspired Textiles in Major Exhibition at The Hive - University Of Worcester www.worcester.ac.uk
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Oh goodness. I had to read the shooting script for the #ReluctantWidow for a book chapter I wrote a few years ago. The script is even more bizarre than the final film. I seem to recall that it started with a shot of Napoleon. All very odd.

Dr Sam Hirst

Excited! We start in just over 5 minutes! #ReluctantWidow

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For a day of hearts: initials inside a heart. Included in the First Wolf Hall Quilt (2020-2021): inspired by a letter from Henry VIII to Anne Boleyn, referenced in Hilary Mantel’s Wolf Hall, and now held in the Vatican Archives. photograph by Michael Wicks

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“He comes into his hall to find versions of himself in various stages of becoming: a tentative outline, partly inked in. Where to begin with Cromwell?” - Hilary Mantel, Wolf Hall When I stitch a portrait I usually leave the face until the very end. For Cromwell, the stitching started with the face.

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