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I was thinking with Steve Dillon: if this was film, Lincoln Center would do ‘the cinematic art of/set design/storyboarded film of Steve Dillon’ as an important, if flawed or unique within a commercial career, comics practitioner (i.e. Caleb Deschanel). But comics doesn’t treat its history that way…

in this podcast, i describe what my ideal comic is: sincere/boring.

denis villeneuve watching a bresson movie and thinking ‘yes yes, THIS is the relationship i need to have with my actors!’ and then going ‘oh, wait, I’m ME’

i hate denis villeneuve, i hate how he makes movies.

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Donate to Support The New York Working Cartoon Library!, organized by Austin EnglishThe New York Working Cartoon Library Comics are having a powerful … Austin English needs your support for Support The New York Working Cartoon Library!www.gofundme.com

More comics about Mort Weisinger

berkeley making my brain melt, having to ask for permission to cross the street at every intersection is demonic, affect of every person you encounter is as if its their first day on Earth but also smug??

i guess the art i care about the most now is whatever lifelong projects still seem coherent as everything/everyone becomes incoherent, with the slight fear that that coherence is a sign of regression re: this moment but allowing myself to set that aside…

marvel continuity spiritually ends after tom defalco stops being EIC, or maybe at some arbitrary point near the end of his run. but if you want to believe in those comics as one long story, you can stop doing that after defalco and just read them as isolated stories going forward from that point.

Kirby, ‘83, age 66.

Kirby, ‘83. 66 years old at this point…

Don Newton > Neal Adams, for that kind of thing

writing a letter to my newspaper that carries nancy to complain that the shirt should actually say ‘pink pantheress’