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Профиль

Hagai Palevsky (he/him)

Профиль Vively

Writer, critic, translator. Street cat photographer. President of the Great Clown Pagliacci fan club. Enjoyer of posts and content. https://linktr.ee/dialhforhagai

wrote a new 4-page comic at 5AM

060

some more free band names: The Platonic Solids The Sensitive Young Men

Hagai Palevsky (he/him)

some free band names for anyone interested: The Killing of Flakey Foont Sufjan Stevens 2 The Featherless Bipeds High School Musical The Musical The Series The Band

010

We should have known Rivers Cuomo was trouble when he opened the very first Weezer album with a lie. “My name is Jonas” it literally isn’t

080

Danger Days: The True Lives of the Fabulous Beach Boys

231

Does anybody know what I want for dinner

010

NYRC 2027 slate so far: ‘00s lit-alt (MEDITATIONS ON THE GRID, Jonathan Bennett), ’60s-‘70s American paracomics (MY DREAM OF LIFE, Joe Brainard and co.), ’80s Italo-alt (THE LAST DAYS OF POMPEO, Pazienza), and ‘80s-’90s Greek art comics (THE FIRE HAS REACHED THE SEA, Dimitris Papaioannou)

162

Jul2026 in prose, movies, music

010

Have decided that this year’s birthday read is going to be all* of Kirby’s 2001: A SPACE ODYSSEY *not including the Treasury which I don’t have

040

every so often I try a Teal Album cover and it’s always baffling. “Stand by Me” is funny because the chorus has guitars + drums heavy enough to remind you that this is Weezer but the rest sounds like a band led by a history teacher considered “cool” in the teachers’ lounge but not among the students

Hagai Palevsky (he/him)

Weezer cover of “Sweet Dreams (Are Made of This)” is so funny. Rivers Cuomo is trying really really hard to actually sound like Annie Lennox

120

I met a traveler from an antique land who said some bullshit. I had my AirPods in so couldn’t really tell what he wanted

051

Probably pedantic, but from a linguistic perspective I really dislike the phrase “physical media” when used in the casual sense (e.g. “check out my physical media haul”) because it feeds off of the (increasingly common) notion that private ownership/consumption is the same as Archival Preservation

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