Finally started my second Hannibal essay, which was supposed to be short, but now it looks like it's just going to be short*er*. I apparently can't help myself. At least it's a great deal of fun.
Профиль
Amanda M. Blake
Профиль VivelyHorror and fantasy author of QUESTION NOT MY SALT and the Thorns series; mid-age goth, horror movie aficionado. IN THE DOLLHOUSE WE ALL WAIT out now! Coming soon: MASQUE (2027). 🦇🪚💀 www.amandamblake.com Ko-Fi: https://ko-fi.com/amandamblake
I've pubbed some historical horror short stories that set the stage for hist novels/novellas coming out soon. One of my faves is out of print, but another is "The Plank in Thine Own," about a monk trying to exorcise evil from a demon. www.amazon.com/gp/product/B... #HorrorWritersChat
Thanks for joining us for #HorrorWritersChat and sharing your histories. Once you’ve answered the questions and interacted, share your promo with #HorrorWritersChat IN THE COMMENTS on this post. This is now your past. Join us again in the future for fresh horror chat! 🖤
The obvious one is Predator, bc now we just want them in any given historical setting after Prey. A Hellraiser situation would be pretty interesting in another era, though. Set during the Inquisition, would they have to step up their game? #HorrorWritersChat
Mary Wyrd (she/her)Make horror history with a new setting. Q4: #HorrorWritersChat - Choose an existing horror IP or horror creation and add it to an historical period different from its origin. Share your idea. ---- Outro in 10 mins
I draw from places my family has lived and taken me, what ancestral branches I can claim on my family tree, and I draw from my existential crisis in my twenties, bc it's the closest thing to conflict I have, largely internal. I make experiential shit up; I don't *do* much. #HorrorWritersChat
Mary Wyrd (she/her)Making it personal. Q3: #HorrorWritersChat - In what ways has your own history (past) impacted or inspired your horror writing? Examples: giving a character your childhood trauma, reimagining an experience with a different ending.
I mean, everyone has a backstory, but how eventful that is... I mostly write the more eventful part of their lives. The more immortal the characters, the greater the weight they drag behind them. Older they are, the more likely they did terrible things for their immortality. #HorrorWritersChat
Mary Wyrd (she/her)Even fictional characters have a past. Q2: #HorrorWritersChat - How much history, how much of a past, do you give your horror characters? Share an example.
Amanda M. Blake, purveyor of dark fiction, quiet to extreme, gothic to gore. Haven't read much historical horror. Most were contemporary at the time of pub, just history now. But on my list: THE HUNGER, Alma Katsu THE HISTORIAN, Elizabeth Kostova COLD SKIN, Albert Sánchez Piñol #HorrorWritersChat
Chance Morgan#HorrorWritersChat I’m Chance, and as a horror writer, I gravitate towards monsters, folklore, conspiracies, and body horror. For historical horror fiction, I’ve been on a big Clive Barker kick lately, so I’ll say: -“Son of Celluloid” -“New Murders in the Rue Morgue” -“Rawhead Rex”
What's going on, Saturday blog update: amandamblake.com/2026/07/25/h...
Hard to choose between my two creature features, but let's go with 'Very Hungry Caterpillar but make it horror' meets National Geographic: OUT OF CURIOSITY AND HUNGER. You see the beast the entire time, yet I hope that sinking feeling never leaves. www.amazon.com/dp/B0C7PGK147 #HorrorWritersChat
Gree_A howl escapes out of its skull of bone and metal. Baleful green seeps out of eye sockets and nostrils. You stand in utter awe. Your alchemy worked. But your body does not, paralysed by the howl. Your creation - your monster - looks at you. Not with obedience. But hunger. #HorrorWritersChat
pedipalps beckon over long writhing glistening tongue to thick for a throat rooted in a black hole borborygmic stomach a promise of satisfaction whose thirst is quenched? whose hunger satiated? who consumes whom? who is a what what subsumes a whom warm womb and an acid bath #HorrorWritersChat
Gree_The heart thrums with life. Bones clack in motion. The threaded fur rustles in the wind. It towers over the cemetery. Over you. Its frame devours the moon. Take your answers to questions 2 & 3, and create a brand new monster in your quote-post! #HorrorWritersChat
The less you show, the more frightening the monster. But I show all my monsters, bc it's not monstrousness you have to fear so much as your familiarity that increases your risk of, say, disembowelment. Pspspspsps that monster, go on... get a little too close to its teeth... #HorrorWritersChat
Gree_The frame of your creation rests betwixt crumpled gravestones. You cradle the silver heart in your hands. Stained with your own blood. How do your monsters scare your characters? Is it by their detailed design, or their vague, terrifying aura? How much do you really show? #HorrorWritersChat
I tend to write sexual anxiety into my creature feature designs, which might be why I enjoy the Xenomorphs so much. There's also supposed to be something almost recognizable in their features, but very off, so it feels wrong that it's there at all. #HorrorWritersChat
Gree_You knit your own, primal incantations into the fur with a gilded needle. Words of binding. Control. Obedience. They glitter under the growing moon. Great monster design is intertwined with a theme. How do you express your favourite themes with your monsters? #HorrorWritersChat
Amanda M. Blake, purveyor of dark fiction, quiet to extreme, gothic to gore. It's hard to go wrong with the sex/tech-core of the Xenomorph, in all its iterations and affect on the environment. I also really enjoy Moder in THE RITUAL. #HorrorWritersChat
Strings of mercury seep out of your ampoules, reconnecting the bones, alighting the faded words carved into the marrow. Tell us who you are, what do you write, and what's your favourite monster design in horror? #HorrorWritersChat