I recorded a commentary track for THE FIRST DEADLY SIN—not just Frank Sinatra’s final film, but a shocking fusion of ‘70s New Hollywood noir with ‘80s Cannon Films sleaze. A shattering detective film that prefigures SE7EN. Out now via @vinsyn.bsky.social: vinegarsyndrome.com/collections/...
Профиль
Travis Woods
Профиль VivelyProfessional obsessive. BYLINES: Bright Wall/Dark Room, Southwest Review, Letterboxd, Fangoria, etc COMMENTARY TRACKS/BOOKLETS: Cinematographe, Fun City Editions, Vinegar Syndrome, Radiance, Imprint, Shout Factory https://linktr.ee/black_neon
Happy 45th to BLOW OUT— I wrote for @brightwalldarkroom.com about the whirlpool of Zaprudic anxiety, libidinous cinegraphic pleasures, and illusory tease of control offered by voyeurism and filmmaking that VERTIGO-spirals throughout Brian De Palma’s 1981 masterpiece. 🎨: @briannaduggan.bsky.social
“Fan-dabby-dozy-tastic.” Absolutely jacked to have my essay included in this STACKED @secondsightfilms.bsky.social 4K box set for Jonathan Glazer’s surreal anti-heist heist film, SEXY BEAST. Big thanks to @phillipescott.bsky.social for having me aboard. Get it: diabolikdvd.com/product/le-s...
Second SightSEXY BEAST LIMITED EDITION 4K UHD & BLU-RAY released Sep 28, preorder now! Jonathan Glazer’s debut arrives in 4K. Featuring a new Second Sight Films Director-approved restoration, new interviews and more! A 160-page hardback book and collectors’ art cards. bit.ly/SexyBeastLtd
Not only does this essay find something NEW to say about BACK TO FUTURE, it is just staggeringly well-written and extremely entertaining. Dive in:
Bright Wall/Dark RoomNew today on the site! Our Summer Blockbusters issue continues, with AJ McDougall (@oldmcdougall.bsky.social) on BACK TO THE FUTURE (🎨 by @studioralston.bsky.social)
In honor of his 75th birthday this weekend, here’s my @brightwalldarkroom.com interview with Abel Ferrara about his memoir, his life, his addictions, the end of the world, and his thoughts on redemption (and how the Bad Lieutenant would react to the 2025 World Series).
For those who dug NIGHT NURSE, I highly recommend CALL ME, a low-budget, high-style erotic thriller that intercourses between two parallel plots: the story of a woman increasingly unhinged/aroused by obscene phone calls, and a gritty nYC neo-noir drug caper, both lustily rubbing against the other.
Travis WoodsA film about what it is to discover that someone else speaks your dirty language, on the same line, and will not hang up, NIGHT NURSE is both a lovely work of art and absolute fucking freak shit that will either enrage or enrapture. I loved it.