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Nearly every problem in The Strength of the Few comes out of fucking nowhere and is then resolved basically instantly. Zero characters (including our protagonist) have meaningful, on-screen agency where we understand the decisions they're making and the context and why stuff happens.

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I like a big swing, and the Strength of the Few is, structurally, a huge swing. I'm glad authors take swings like this. But I think Obsessions With Big Structural Ideas need equally strong obsessions with characters, agency, and narrative payoff.

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