"Anne Hathaway’s face is as expressive as ever, and she looks beautiful and mysterious, glimpsed mostly through the veil of a clever set design that separates the women’s quarters from the main hall. But the script gives her nothing to do except yearn for Matt Damon, for reasons unknown."
EMILY WILSONI wrote about the Nolan Odyssey for the LRB. I'll summarize some of my main points below, in case you don't feel like reading all that. www.lrb.co.uk/the-paper/v4...