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Публикация

The audio is gone forever. But these mind-bending illustrations survive from the educational filmstrip “Drug Abuse: Glue-Sniffing and Pills” (1968). It's just one example of over 1,300 filmstrips preserved by @uncommonephemera.org. Read more here: www.popculturalprecursors.com/p/can-this-f...

Обсуждение

1 прямых ответов · 9 сообщений

Given how stable Eastmancolor stocks weren't readily in use until the late 70s and early 80s, is there any way to recover what may be left of the cyan and yellow on older strips?

Ответ для Bo the Tiger

Good question! I defer to @uncommonephemera.org on that. I used to work at the film and photography archive at UT Austin, and I believe there are archivists doing amazing things to rescue deteriorating Eastmancolor...maybe in Rochester? This was a while ago

Ответ для Chris Baker

Gotcha, thanks for letting me know. Hope to find out more!

Ответ для Bo the Tiger

Sometimes, depending on the level of fade. It's a physical thing. The cyan and yellow dyes fade before magenta. If they're just lightly faded, color grading can restore some of it. If they're fully faded, no. That's why it wasn't wise to leave these things until the 2020s, and why I need help.

Ответ для Uncommon Ephemera

And Eastmancolor stock was not more "stable" in the 70s/80s. It was still available as a low-cost option at the customer's own risk, used for ephemeral things with a short use life. Kodak introduced "Low-Fade Positive Print" (LPP) in the 70s and smart companies switched to it.

Ответ для Uncommon Ephemera

I see! That's where I got confused then. It would also explain the novelty slide sets I see in antique stores all the time that are faded regardless of date

Ответ для Uncommon Ephemera

Also, I worked on an archival project some 10 years ago restoring color left in improperly stabilized Ektachrome slides from the 1950s. It was with some success. I know it's a different film stock, but I'd love to give it a try if you have some lossless scans I can try it out on

Ответ для Bo the Tiger

Everything on the Internet Archive is lossless. I only do corrections on restored filmstrips and I only restore when the soundtrack is available. I do it across a comp of frames in the video editor. If you use Final Cut Pro I can share libraries when I’m working on an Eastmancolor one.

Ответ для Uncommon Ephemera

Oh awesome thank you!!